Fish in Rococo costumes create a fascinating symbiosis between the natural world and the decadent aesthetics of the 18th century. The elegant lines of their bodies are accentuated by the extravagance of silk fabrics, lace, and brocade, as if the sea has birthed its own aristocracy. Their fins seem to merge seamlessly with the embellishments of their attire, with ruffles and pleated sleeves giving the illusion of underwater movement.
The pastel hues of Rococo harmonize with the shimmering of their scales, making the fish appear both eccentric and organic. There is a curious resemblance between the fish and the fashion of that era: both seem built upon grace and excess, with an emphasis on detail.
The fish figures are encapsulated in melting plastic, a material that folds around them like a liquid shield. The waves and distortions formed by thermal techniques seem to dance like frozen movements, echoing the flow of water.

The similarity between rippling water and the Rococo style lies in the dynamic, playful, and graceful lines that permeate both nature and art in these elements.

The Rococo style, known for its opulent, transient beauty, is slowly destroyed by the water—a visualization of how even the most beautiful and refined creations ultimately succumb to the transience of time.

At the same time, water carries the symbolism of eternity. Despite the fleeting nature of the things it changes, the water itself remains constant—it always flows onward. It represents a timeless cycle in which nothing is ever truly lost but is instead transformed into something new. Water embodies the eternal motion of life, where everything continually changes and is reborn.

In the context of the fish in Rococo costumes, the water illustrates how transience and eternity are intertwined: beauty decays over time, but the movement of the water reminds us of the ongoing process of change and the cyclical nature of existence.